Miscellaneous Effective Tactics Of Communicating A Tale
The point of view in any story is important because it provides a guide to manage the execution of your story. Most works of fiction use one point of view although a second perspective can be brought into the story for a short period of time.
Third Person Perspective is the most common method of conveying a work of fiction. In this method, the narrator is allowed limited omniscience. The narrator has limited access to the knowledge and feelings of the characters in the story and can take the reader from one character setting to another easily. Most readers accept the fact that the narrator knows a lot about each individual, no questions asked.
Unlike first person perspective that conveys the story from the perspective of a cast member, third person perspective narration does not allow the narrator to actually participate in the action. What they do is operate outside the story in order to bring the various threads of the story together.
The story would be a little flat if the writer gives the narrator full access to all feelings and thoughts of the cast of characters because there’s nothing left for the imagination.
Third person narratives can be spotted by the predominate us of words such as they, he, she and it. Talking about others instead of himself is what the narrator does.
The least common perspective is Second Person Perspective. This approach is rarely utilized by novels throughout an entire work.
Words like you and you’re are what this type of fiction relies on. The use of this type of perspective either assumes you will connect with the story as if it is written to you or that you will understand you are reading a private story written to and about someone else. It is rare to find a full manuscript that uses this perspective although an Epistolary Novel such the C.S. Lewis masterpiece “Screwtape Letters” may likely be considered second person perspective in its entirety.
Many writers get into the trouble of unintentionally shifting in perspective. This can be used effectively under certain circumstances, however the shift in perspective needs a breaking point to allow the reader to gain some understanding that a shift has taken place. Without a break to qualify the shift in point of view the story becomes confusing because the reader has to work hard at discovering who is actually telling the story.
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