Italian Reverence


This painting’s focus on the color blue is an intentional and emotionally provocative choice. The color is soothing, but the subject matter is crowded with subjects. One can feel both overwhelmed by Italian Reverence as well as soothed by it. This strange, mixed reaction to the piece is something rare in the art world and will make this original canvas painting a true gem for the seasoned art collector. The multiple subjects make this piece very unique as it doesn’t draw the attention to one single spot. The artist of this piece has included all kinds of subjects to create a vintage Italian essence. The solid blues to nearly transparent natural browns gives a cutting-edge sometimes very graceful look amid the chaos of their surroundings. This piece is a true one of a kind. It is well suited for many spaces, but it’s bustling style make it best suited for a somewhat empty wall where it can have some space so as not to overwhelm a viewer.

This painting is available on a single canvas that compliments the activity and movement of the piece. Putting this particular painting on a single canvas is an artistic choice that emphasizes the shapes and lines of the painting without breaking them up and interrupting the fluidity that the artist has tried so hard to achieve. In addition, on a single panel this piece is given free reign and the eye is permitted to move around the piece rapidly without being halted by jumps between canvases, a quality such as this is important in a piece like this, that has so much activity within it’s borders. The canvas seen here is of a size that allows it to fit well in any sized room as well as fit a serve a number of functions for the viewer. For more pieces that push art to the limits and explore new territories, we suggest that you continue to explore our Abstract Canvas gallery where paintings such as this one abound. If you are interested in viewing a piece that is just as challenging and thought provoking as Italian Reverence, take the time to view Bullet Abstract.

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