the earth is the dojo and landscape is instructor
For me: nature is church, the earth is the dojo and landscape is instructor, and poetry is religion. Nature is the first. Therefore, the earth’s attention is a must. Where I am “tianya magazine earlier mass organizes domestic ecological environment problems, therefore the discussion” nanshan formed minutes: why do we talk about environmental – ecological “has been mbt shoe translated into nearly ten languages, known as the” new century first sound green scream “, also participated in “protecting tiger leaping gorge” launched with China’s largest movement, the earliest environmental group friends of the nature “joint organization of natural life and thought” essay, because this goal.
I was confused, or by critics words to generalize it. And they generalize well. Critics YangQingXiang said: “in his best those poems, he almost no consciousness by modern spiritualism summoned to his in present, eventually, present consciousness, modern rhetoric and classical composition method in poetry and buy emerging, and presents some astonishing coordinated. This is the LiShaoJun contemporaries who fell in love with the classical poetry aesthetic poets, the biggest difference in LiShaoJun body, old literati enthusiasm was repeatedly into the real life of hot calif, for the earth with nature yearning for modern inner spiritual dimension of exploration for one of LiShaoJun speaking, balance. For the relationship between these opposites is the most attractive wins his poems, is also in the difficulty of his poems in writing,” he said: “as the modern famous mbt footwear poet Wallace Stevens), Stevens (his life in prosperous cities, in the imagination of embedded natural intimate contact with capital in the poetry of the order of the shape and the form. In that sense, LiShaoJun found it for classical poetics in modern ‘flesh’, perhaps only from this’ live in the moment ‘poetry, just can have the concept of LiShaoJun so-called poetry’ grass-roots’, poetry to find it in the past ‘roots’ and now’ roots’, and both one kind included traditional and transcend the traditional aesthetics of the modern poetry.”
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