Talking about the aesthetics of modern film semiotic epistemology

Of Attachment steam Film semiotics and the history of Chinese thought of the connection seems very distant. But from an interdisciplinary and cross-cultural methodological point of view, no significant correlation between the two is not. First of all, the film semiotics is an important part of modern aesthetics. The philosophy of modern aesthetics, including traditional aesthetics and modern literary theory, "aesthetics" within the larger context of modern Western aesthetics and ideology of Chinese classical aesthetics associated with the academic theory is not difficult to understand. In the "symbol" within the larger context of modern Western aesthetics Semiotics (Semiotics for the main part of the film) and the Chinese Classical Literary Semiotics Theoretical correlation between was also evident.

  Of this article from the 1977 film semiotics concerns the problem, its focus is entirely in the general aesthetics of epistemology and methodology of the new directions. Film as a comprehensive art form became a classic of modern aesthetics of the object. Compiled anthology of "Film and methods: semiotics Anthology" (1987,2002, triple) and compose the book "Modern Western Film Aesthetics" (1987, China Social Science) is a general symbol of the Study integral part of the study of modern aesthetic theory of knowledge component. In the new translation to expand the occasion of the election, on issues relevant to re-review aesthetic epistemology, according to a new academic experience in Europe, wrote this article for domestic researchers. In addition to the following article published in the translation of foreign elections, and income of nearly a "Historical Semiotics" (2003). In the "Film semiotics" in the field, "movie" media only been for the study, and the media really involve academic issues related to all aspects of humanities.

Recalled Metz: semiotics and film theory

Metz own film theory called the film semiotics, subject name itself shows Metz and film theory and semiotics of two closely related areas. The "Metz film semiotics," which indirectly involved in the academic field, far beyond the scope of the film industry. On "film theory", Metz will be referred to the sixties many of the names of famous French scholar, shows that the film theory and his theory of other human intrinsic link between. In this sense, Metz film theory and literary theory and the humanities and movie links and not less than the link. Indeed, Metz semiotic significance of the film related to the academic, ideological, cultural, many other aspects, such as: the relationship between philosophy and humanistic theory, literary creation and the relationship between literary theory, theory and criticism, the French Theory and the United States Theoretical the relationship between scientific theory and the relationship between art practice and the pursuit of spirituality and the relationship between commercial entertainment, and so on. This of course does not intend to Metz theory and ideas for such a comprehensive review, just want to combine from 1988 to 1991 three or four years long talk with Metz and the multiple contacts to further understanding of film semiotics to analyze the Metz established the importance of film semiotics and some related issues.

Metz income in the book "Interview" at the end of his talk about the relationship between teachers and Barthes, expressed his as a French scholar on the relationship between academic and living wages that, showing a pair of today Some scholars rarely talked about the "academic ethics" concern. Metz is the contacts I have had the most sincere of Western scholars, one of the least snobbish. Recommendation in Metz, France in 1990, I Higher Academy of Social Sciences (EHESS) Foreign Visiting Fellow (Directeur d'Etudes) will visit Paris in a month. As his guests every Wednesday evening we agreed to meet in Luxembourg Park subway station, and then he led me through the streets to a small restaurant he loved to chat. I remember once talking about all kinds of semiotics and film-related topic, he suddenly said to me: "Yes, you know my semiotics, but you do not know me, another world!." Afterwards, I often guess he was referring to "another world" that; is about thinking, about academic or personal life on? In France the following year with funding from the Ministry of Science and Technology to study "the French human sciences epistemological" to France on behalf of another three-month visit. In late May a chance soon to leave Paris and Metz make another subway station in Luxembourg (now think of as somewhat interesting is that every time he was able to sight in my time to suddenly appear). He told me after the meeting just ended his life last instruction, the second day, would retire early.

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