Evolution of hollywood Movie Industry
After the birth of cinema on December 28, 1895, when the Lumi?re brothers publicly projected output of a French factory workers in Lyon, was developed as a cultural product to service commercial industrial art of early filmmakers.
However, after the first film experiments, the industry morphed into what we now call the ‘seventh art’, in which the figure of writers, directors, producers, etc., Was emerging as an artistic quality that led to the golden age of cinema in the 50’s.
In the late twentieth and early this American industry, with Hollywood at the head, overthrew the concept art from the golden age. Now the film is sold, commodified and offered to the highest bidder, in many cases being empty of all content. Alternative industries such as film in French, English and Spanish may come to be an exception to the rule of the globalized cultural world.
Thus, the Hollywood film industry aims to build an infrastructure fully dedicated to the cultural market, which spends millions of dollars and raises even more, but we must not forget that no less an artistic production further or lesser extent.It Is quite difficult these days to get Movie links over internet these days
Professor Caparros, in an interview Presston communications agency, at the time qualified that not all film is art or is industry. The answer to that question is obtained by contrasts. Just as American cinema is governed almost exclusively by capitalist criteria, the Spanish answer to very specific social impulses.
Hypothesis would be a little biased to think that this film simply because it is only industry. Considering that the whole world cinema has the same objective, namely, financing and business on their production, would be speaking only of industrialization pure and simple, but no, this is not true. Cases such as the European cinema, Indian cinema Japanese cinema and come to so strongly refute that assertion.
Along the same lines, music, literature, painting, …, are visual arts aimed at an artistic goal that comes from the mind of a genius, but also seek funding for its production and collection of benefits that provide more or less profitable.
Would have to remove the widespread perception that the alternative, minimalist, so misunderstood, the minority, and the rest is art as industry. Also born artistic talents touched by the wand of industrialization, or those that sell to it, and by no means his work is no longer an artistic conceptualization. On the contrary, many of these “artists” who are considered as such, or just claim to be misunderstood, minority, alternative or minimalist, simple they are still candidates who do not have supreme artistic inspiration. Ie, not be a minority in a work is art itself, and not have the support of the most powerful marketing channels is only a work industry.
In the same context, the degree of product quality film can not condition the idea of ??art or industry. This is another belief that is often vulgar public opinion, when many geniuses have produced authentic cinema swill that have failed to tarnish his magnificent career.
Film director wants in every case that his work is known, but the art needs of an industry, and without it, art does not meet the expectations of its creator. Mainly because it has no duration, no effects, no long satisfy the ego of the artist, to say nothing of his “social conscience.” It is an idea so exorbitant: Godard stopped making films for television because his films were not marketed. If the creator of a film with some dignity to his work try sending it to succeed or produce competitions, participate in festivals, in short, trying to break into the industry. Probably not an issue as only economic but also psychological. That is, the artist as a general rule no a priori dislike working in cultural management, what bothers him is that he was not publicized, do not get their films to the general audience, he was not appreciated and that their efforts are not serve for something.
In short, cinema is a very important industry, which moves a lot of money and employs thousands of people, and there is art cinema, in fact the quintessential art movement of the twentieth century. But not all film is art, although the whole film has a cultural identity. Bad movies, average or good is a symbolic representation which arises from a particular interpretation of the world. Therefore, it comes to cinema, and in turn to fill rooms. In the film, only one in ten films succeeds despite the fact that their authors always claim that their work of art reaches the widest possible audience. Therefore, commercial movies are made because you have to understand cinema as a cultural industry is a business.
Premium in this society a spectacular image, fleeting and without contextualization, in which the whole art of film has won favor of these demands and in the hands of capitalist industry that have catapulted. That is why today’s cinema is nothing more than an industrial art in the era of globalization, fierce consumerism and immediacy in which we live. But it still has not lost its halo of exquisite that protects and eat it as the seventh art is.
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