The first batch of National Intangible Cultural Heritage-Pingyao push light lacq
Pingyao push light lacquer lacquer ware in China, one of the four, which the big paint (natural lacquer) as expected, with the outline in gold paint and artificial palm of your hand to push the unique craft of light known as known to the world. Finish bright and clean, Ying Ying is like a mirror, there is heat resistant to moisture, acid and alkali, anti-aging and so on. Pingyao push light lacquer painted decorative art on May 20, 2006 by the State Council officially included in the national first batch of intangible cultural heritage, which is listed as a world cultural heritage, following after the ancient city of Pingyao, Pingyao County, another one included in the cultural heritage projects. However, that is, being so proud of our province to push light lacquer, but now they do not know where to push? Decentralized operations, and disorderly competition, lack of new blood, as well as to art or to goods? Is the most traditional, or to abandon the traditional? And so on, become a light lacquer Pingyao push forward on the road can not evade.
Pingyao push light lacquer Development Status
In 1958, Pingyao push light lacquer plant is established, the development of lacquer Pingyao push light scattered by the self-development of specialized production. However, the new century, Pingyao push light lacquer factory because of poor management, lack of funds after the closure of other reasons, Pingyao has pushed the development of light lacquer from the specialized production back to the original self-scattered. Through the provincial CPPCC Liu Ping, this reporter learned Pingyao push the development of light lacquer.
From the brand, the Pingyao push light lacquer is a regional traditional products, but the specific where a lacquer shop, which a trademark is orthodox, but it is difficult to conclusions. Pingyao Ancient City in the streets, lacquer ware shop numerous of these stores, when asked what is painted lacquerware handicrafts made of the time, they said was “authentic big paint” a look at the merchandise but not the same as real to the enemy . The same as the Pingyao Ruin, people would think of to bring Pingyao Beef, “Guanyun”, brought the ancient city walls will think about the “ancient city of Pingyao,” lacquer that the store will remember who brought it? Even the “Wing Lung Road”, “nickname Paint Studio” famous lacquer ware and other small shops, have been submerged in the numerous family in a small workshop of the brand-name.
From scale point of view, Pingyao County, there are about 50 push-ray lacquer production outlets, mostly small workshops, about 70 light lacquer to push the point of sale, industry annual production value of about 1000 million yuan. However, all the basic business of decentralized management, self-contained, more disorder, it is difficult to form groups of the size and competitiveness. Furthermore, as many of lacquer ware shop in lower prices with each other, shoddy, shoddy disorderly competition and lack of scientific management, making the market development is impaired.
From the inherited situation, 50 push-ray of lacquer ware production network only XUE Sheng Mr. Jin Lao lacquerware shop has been opened, and his disciples Geng Bao-Guo’s “muddy paint vegetarian” and a few still insist on using traditional crafts. Others use more paint and chemical synthesis of large paint and other modern technology.
Why is the promotion of traditional lacquerware pushing hard to light?
Pingyao is a big push light lacquer paint for the material, with the outline in gold paint and artificial palm of your hand to push the light is famous for the unique craft. Why is the promotion of traditional lacquerware pushing hard to light? Pingyao interview with reporters found the reason why the promotion of traditional lacquerware is difficult to push light, the main difficulty in its uniqueness.
First of all raw materials difficult to “big paint” on. “Big Paint”, also called “lacquer” or the “National paint, soil paint” is a lacquer on the artificially cut out of beige paint liquid, after extraction, before use. “Big Paint” First, the high price, the original production area of our province Zhongtiaoshan “Big Paint”, but a smaller number of poor quality. In later, Pingyao, Shaanxi paint shop on the switch to the “big paint”, but now one kilogram of 120 yuan to 130 yuan must, paint where they are often mixed sand sub. The second is “Big Paint” Prior to dry before the person’s skin allergies injury, commonly in the paint dry itchy skin after intolerable, but after a few post in the paint can withstand the general. The third is the “big paint” to paint a few years the work is not acceptable. Today’s young people, few can eat the hard won.
Light push harder to promote the traditional lacquer painting in the outline in gold and artificial light on the palm of your hand to push. Pingyao traditional lacquer painted surface decoration process mainly outline in gold, including gold open flat black, heap drum cover paint and so on, outline in gold paint used in painting Eun Ju, Shi Huang, also very special, lacquer artists in addition to the use of Lynx’s back on the mane special bian pen outside their own but also has a strong tradition of painting and sculpture techniques. Artificial light is usually the practice of pushing hands, first with fine sandpaper to smooth polished finish, and then use high-quality linden wood burning charcoal block thin dip-polished, and then dip the hair oil polishing, and finally dipped in a special thin palms brick dust and sesame oil to push light, bright as a mirror finish to achieve results. This technician’s requirements are very high, now fewer and fewer people.
CPPCC member Liu-ping told us that the traditional push harder in the absence of light lacquer to promote innovation. He said that at the local, the general must have a married daughter a decent dowry for lacquer, which is very popular in our province have been Jinzhong generation, when the lacquer mostly wardrobe, dressing-boxes, screens and so on. Today, Pingyao push light lacquer is still more in production of these crafts, but modern people are pursuing the purchase of furniture accessories personality sync with the trend of the times, do not deny that some people will prefer the traditional retro art, but it obviously can not meet the market the mainstream segment of the population in urgent need of innovation.
The face of the traditional push light lacquer unique and modern technology advances and changes in people’s ideas, many chose to abandon the use of lacquer ware shop the traditional “Big Paint” in favor of the use of modern synthetic large paint, paint and chemical paint cashew nuts. Push the face of traditional lacquerware light transmission difficult, the reporter left the village in Pingyao County, interviewed the baby has received the “China Arts and Crafts Master” title, now the only way to fully grasp the Pingyao push the older generation of light lacquer artist XUE Sheng-Jin.
咱have to walk on two legs
After that purpose in coming, Xue old home has accepted an interview with reporters. He said that he had opened in the town had a lacquer shop, but has now been closed, although closed the door, but they have also been using the “big paint” and the traditional method of making lacquer ware. “Pingyao city adhere to the traditional craft of lacquer ware shop is only three, but the sales of a good, basic orders are ahead of schedule.” For many large synthetic lacquer paint shops, chemical, paint and lacquer production of cashew nuts paint, he said, from the art point of view, he did not agree, but only as a tourist souvenir, you can accept it because the traditional craft of lacquer ware production Most expensive, generally tourists can not accept. “But the workmanship must be refined, those shoddy, shoddy, and I strongly oppose.” He also told us, and now he is still in train an apprentice, although up to now have been trained more than 140 disciples, but unfortunately, no one can fully grasp the push light Pingyao traditional art of lacquer. Although there is an art of these disciples insisted on the traditional, such as “muddy Paint Studio” boss Geng Bao-guo, but most still use modern paint. “Decentralized management conducive to competition, but also likely to cause disorderly competition. In short, whether for art or for business, I personally support. Japanese lacquer on the well-known in the international arena, they are walking on two legs, the master’s works are generally countries to purchase, travel goods, then the multi-purpose chemical paint manufacture, but there is one point, they are very delicate, “Xue old added:” Whenever we have to walk on two legs. ”
To introduce new, we must rely on modern technology and processes
Different point of view with the old Xue, Pingyao Yongchang lacquer boss Liang Wenhai agreed to paint a modern synthesis of large lacquer production. He said: “with the ‘big paint’ production of lacquer ware, one process is too cumbersome, and second, ‘big paint’ on the skin of allergic injury, many customers buy the lacquer crafts as after the skin allergies, will be complaints.” He said that with the preparation of large paint “In addition to convenience, making crafts out more gloss, more beautiful and more expensive, and very environmentally friendly, technical content is not high, and now many young craftsmen like to use.” “I personally believe that modern production methods are more conducive to the development of Pingyao push light lacquer. To introduce new, we must rely on modern technology and processes. In short, every generation there is every generation’s point of view and opinions, everyone mutual understanding, mutual learn it wants to. ”
The Government should give the policy and funding support
Pingyao ancient city of the most prosperous in the Ming and Qing Dynasties the streets, a total of more than 40 stores the size of lacquer. Press firmly rooted in tradition still insist on the face of modern questions, a lot of lacquer ware shop owners and customers said they were somewhat hard to say, because the traditional crafts made of lacquer ware, antique, great flavor; and modern technology is made of lacquer look more bright and do up is also more convenient. “Strengths and weaknesses, each has its advantages,” the lament of a lacquer shop owner, on behalf of a lot of lacquer artists point of view. Provincial CPPCC member Liu Ping on Pingyao to push the development of light lacquer very concerned this end, writing the proposal called for pushing light lacquer Pingyao development needs of government policy and funding on the great support.
Mr. Liu said, lacquer ware industry is a high-tech, high-threshold, low profits, low efficiency and the return of a long cycle of industry, the Government should support private enterprises in terms of policy development. In Pingyao local schools or training base, in the conditional colleges set up lacquer ware manufacturing expertise for the transmission of fostering talent, and lacquer ware. Along with the rich material culture of human development, there is a growing emphasis on cultural content, lacquer ware is no longer a simple product, therefore, when the production of lacquer ware, it is necessary to inherit the tradition, but also modern new element to adapt to people’s quality of life and culture of the current demand, so the lacquer craft toward family, toward the country, to the world.
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