Led Zeppelin IV
Recording sessions
The album was initially recorded at Island Records’s newly opened Basing Street Studios, London, at the same time as Jethro Tull’s Aqualung in December 1970. Upon the suggestion of Fleetwood Mac,, the band then moved to Headley Grange, a remote Victorian house in East Hampshire, England, to conduct additional recordings. Here they used the Rolling Stones Mobile Studio. Guitarist Jimmy Page later recalled, “We needed the sort of facilities where we could have a cup of tea and wander around the garden and go in and do what we had to do.” This relaxed, atmospheric environment at Headley Grange also provided other advantages for the band. As is explained by Dave Lewis, “By moving into Headley Grange for the whole period of recording, many of the tracks [on the album] were made up on the spot and committed to tape almost there and then.”
Once the basic tracks had been recorded, the band later added overdubs at Island Studios, and then took the completed master tapes to Sunset Sound in Los Angeles, CA for mixing. However, the mix ultimately proved to be less than satisfactory, creating an unwanted delay in the album’s release. Further mixing had to be undertaken in London, pushing the final release date back by some months.
Album title
Led Zeppelin IV inner sleeve. From the 2003 CD release
After the lukewarm, if not confused and sometimes dismissive, critical reaction Led Zeppelin III had received in late 1970, Page decided that the next Led Zeppelin album would not have a title, but would instead feature four hand-drawn symbols on the inner sleeve and record label, each one chosen by the band member it represents. “We decided that on the fourth album, we would deliberately play down the group name, and there wouldn’t be any information whatsoever on the outer jacket”, Page explained. “Names, titles and things like that do not mean a thing.”
Page has also stated that the decision to release the album without any written information on the album sleeve was contrary to strong advice given to him by a press agent, who said that after a year’s absence from both records and touring, the move would be akin to “professional suicide”. In the words of the guitarist: “We just happened to have a lot of faith in what we were doing.” In an interview he gave to The Times in 2010, he elaborated:
It wasn easy. The record company were sort of insisting that the name go on it. There were eyes looking towards heaven if you like. It was hinted it was professional suicide to go out with an album with no title. The reality of it was that we had so many dour reviews to our albums along the way. At the time each came out it was difficult sometimes for the reviewers to come to terms with what was on there, without an immediate point of reference to the previous album. But the ethic of the band was very much summing up where we were collectively at that point in time. An untitled album struck me as the best answer to all the critics because we knew the way that the music was being received both by sales and attendance at concerts.
Owing to the lack of an official title, Atlantic Records initially distributed graphics of the symbols in many sizes to the press for inclusion in charts and articles. The album was one of the first to be produced without conventional identification, and this communicated an anti-commercial stance that was controversial at the time (especially among certain executives at Atlantic Records).
The idea for each member of the band to choose a personal emblem for the cover was Page’s. In an interview he gave in 1977, he recalled:
After all this crap that we’d had with the critics, I put it to everybody else that it’d be a good idea to put out something totally anonymous. At first I wanted just one symbol on it, but then it was decided that since it was our fourth album and there were four of us, we could each choose our own symbol. I designed mine and everyone else had their own reasons for using the symbols that they used.
Page stated that he designed his own symbol himself and has never publicly disclosed any reasoning behind it. However, it has been argued that his symbol appeared as early as 1557 to represent Saturn. The symbol is sometimes referred to as “ZoSo”, though Page has explained that it was not in fact intended to be a word at all.
Bassist John Paul Jones’ symbol, which he chose from Rudolf Koch’s Book of Signs, is a single circle intersecting 3 vesica pisces (a triquetra). It is intended to symbolise a person who possesses both confidence and competence.
Drummer John Bonham’s symbol, the three interlocking rings, was picked by the drummer from the same book. It represents the threesome of mother, father and child, but also happens to be the logo for Ballantine beer.
Singer Robert Plant’s symbol was his own design, being based on the sign of the supposed Mu civilization.
There is also a fifth, smaller symbol chosen by guest vocalist Sandy Denny representing her contribution to the track “The Battle of Evermore”; it appears in the credits list on the inner sleeve of the LP, serving as an asterisk and is shaped like three triangles touching at their points.
During Led Zeppelin’s tour of the United Kingdom in Winter 1971, which took place shortly following the release of the album, the band visually projected the four symbols on their stage equipment. Jimmy Page’s symbol was put onto one of his Marshall amplifiers, John Bonham’s three interlinked circles adorned the outer face of his bass drum, John Paul Jones had his symbol stenciled onto material which was draped across his Fender Rhodes keyboard and Robert Plant’s feather symbol was painted onto a side speaker PA cabinet. Only Page’s and Bonham’s symbols were retained for subsequent Led Zeppelin concert tours.
Releasing the album without an official title has made it difficult to consistently identify. While most commonly called Led Zeppelin IV, Atlantic Records catalogs have used the names Four Symbols and The Fourth Album. It has also been referred to as ZoSo (which, as noted above, Page’s symbol appears to spell), Untitled and Runes. Page frequently refers to the album in interviews as “the fourth album” and Led Zeppelin IV, and Plant thinks of it as “the fourth album, that’s it”.
Album cover and inside sleeve
Led Zeppelin IV outer gatefold album cover
The 19th century rustic oil painting on the front of the album was purchased from an antique shop in Reading, Berkshire by Robert Plant. The painting was then juxtaposed and affixed to the internal, papered wall of the partly demolished suburban house for the photograph to be taken. The 20th century urban tower block on the back of the full gatefold album cover is Butterfield Court in Eves Hill, Dudley, England.
Page has explained that the cover of the fourth album was intended to bring out a city/country dichotomy that had initially surfaced on Led Zeppelin III:
It represented the change in the balance which was going on. There was the old countryman and the blocks of flats being knocked down. It was just a way of saying that we should look after the earth, not rape and pillage it.
However, regarding the meaning of the album cover, he has also stated:
The cover was supposed to be something that was for other people to savour rather than for me to actually spell everything out, which would make the whole thing rather disappointing on that level of your own personal adventure into the music.
The album cover for IV was among the ten chosen by the Royal Mail for a set of “Classic Album Cover” postage stamps issued in January 2010.
“The Hermit”
Back sleeve of the 2003 CD with the lyrics of “Stairway To Heaven”
The inside illustration, entitled “The Hermit” and credited to Barrington Colby MOM, was influenced by the design of the card of the same name in the Rider-Waite tarot deck. This character was later portrayed by Page himself in Led Zeppelin’s concert film, The Song Remains the Same (1976). The inner painting is also referred to as View in Half or Varying Light and was sold at auction under that name in 1981.
Varied versions of the artwork within the album exist. Some versions depict a longhaired and bearded supplicant climbing at the base of the mountain, while some others do not show the six pointed star within the hermit’s lantern. If the inside cover of the album is held vertically against a mirror, a man’s face can be seen hidden in the rocks below the hermit. Speculation exists that the face is actually that of a black dog.
The typeface for the lyrics to “Stairway to Heaven”, printed on the inside sleeve of the album, was Page’s contribution. He found it in an old arts and crafts magazine called Studio Magazine which dated from the late 1800s. He thought the lettering was interesting and arranged for someone to work up a whole alphabet.
Release and critical reaction
Professional ratings
Source
Rating
Blender
Billboard
(favourable)
Q
Allmusic
Entertainment Weekly
(A+)
Robert Christgau
(A)
Rolling Stone
(favourable)
BBC
(favourable)
The album was released on 8 November 1971. In the lead-up to its release, a series of teaser advertisements depicting each symbol was placed in the music press.
The album was a massive instant seller. It entered the UK chart at number one and stayed on the chart for 62 weeks. In the United States it stayed on the charts longer than any other Led Zeppelin album and became the biggest selling album in the US not to top the charts (peaking at #2). “Ultimately,” writes Lewis, “the fourth Zeppelin album would be the most durable seller in their catalogue and the most impressive critical and commercial success of their career”.
Accolades
In 1998, Q magazine readers voted Led Zeppelin IV the 26th greatest album of all time; in 2000 Q placed it at #26 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 66 on Rolling Stone magazine’s list of the 500 greatest albums of all time. It is ranked at #7 on Pitchfork Media’s Top 100 Albums of the 1970s.
In 2006, the album was rated #1 on Classic Rock magazine’s 100 Greatest British Albums poll; that same year it was voted #1 in Guitar World 100 Greatest Albums readers’ poll and was ranked #7 in ABC media’s top ten albums.
Publication
Country
Accolade
Year
Rank
Mojo
United Kingdom
“The 100 Greatest Albums Ever Made”
1996
24
Grammy Awards
United States
Grammy Hall of Fame Award
1999
*
The Guitar
United States
“Album of the Millenium”
1999
2
Classic Rock
United Kingdom
“100 Greatest Rock Albums Ever”
2001
1
Pitchfork Media
United States
“Top 100 Albums of the 1970s”
2004
7
Q
United Kingdom
“The Greatest Classic Rock Albums Ever”
2004
*
Robert Dimery
United States
1001 Albums You Must Hear Before You Die
2005
*
Q
United Kingdom
“100 Best Albums Ever”
2006
21
Classic Rock
United Kingdom
“100 Greatest British Rock Album Ever”
2006
1
Rock and Roll Hall of Fame
United States
“The Definitive 200: Top 200 Albums of All-Time”
2007
4
(*) designates unordered lists.
Track listing
Side one
#
Title
Writer(s)
Length
1.
“Black Dog”
Jimmy Page, Robert Plant, John Paul Jones
4:57
2.
“Rock and Roll”
Page, Plant, Jones, John Bonham
3:40
3.
“The Battle of Evermore”
Page, Plant
5:52
4.
“Stairway to Heaven”
Page, Plant
8:02
Side two
#
Title
Writer(s)
Length
1.
“Misty Mountain Hop”
Page, Plant, Jones
4:38
2.
“Four Sticks”
Page, Plant
4:46
3.
“Going to California”
Page, Plant
3:31
4.
“When the Levee Breaks”
Page, Plant, Jones, Bonham, Memphis Minnie
7:07
Sales chart performance
Album
Chart (19711972)
Peak Position
Japanese Albums Chart
2
Norwegian Albums Chart
3
UK Albums Chart
1
US Billboard 200
2
German Albums Chart
9
French Albums Chart
2
US Cash Box Top 100 Albums Chart
1
US Record World Top Pop Albums Chart
1
Canadian RPM 100 Albums
1
Spanish Albums Chart
8
Australian Go-Set Top 20 Albums Chart
2
Singles
Year
Single
Chart
Position
1971
“Black Dog”
US Billboard Hot 100
15
1972
“Rock and Roll”
US Billboard Hot 100
47
Sales certifications
Album
Country
Sales
Certification
Argentina (CAPIF)
60,000+
Platinum
Brazil (ABDP)
50,000+
Gold
Canada (CRIA)
2,000,000+
2 Diamond
Switzerland (IFPI)
50,000+
Platinum
France (SNEP)
600,000+
2 Platinum
Spain (PROMUSICAE)
80,000+
Platinum
Germany (IFPI)
300,000+
3x Gold
Australia (ARIA)
560,000+
8 Platinum
United States (RIAA)
23,000,000+
Diamond
Netherlands (NVPI)
60,000+
Platinum*
United Kingdom (BPI)
1,800,000+
6 Platinum
Note: (*) Remastered sales only
Personnel
Led Zeppelin
John Bonham drums
John Paul Jones synthesizer, bass guitar, keyboards, mandolin, recorders
Jimmy Page acoustic and electric guitar, mandolin, production, remastering, digital remastering
Robert Plant vocals, harmonica
Additional musicians
Sandy Denny vocals on “The Battle of Evermore”
Ian Stewart piano on “Rock and Roll” (uncredited)
Production
Barrington Colby MOM The Hermit illustration
George Chkiantz mixing
Peter Grant executive producer
Graphreaks design coordinator
Andy Johns engineering, mixing
George Marino remastered (1990 Compact Disc re-release)
Joe Sidore mastering (original Compact Disc release)
See also
List of best-selling albums worldwide
List of best-selling albums in the United States
References
^ “Led Zeppelin: A complete guide to the band’s studio albums”. The Independent. http://www.independent.co.uk/arts-entertainment/music/features/led-zeppelin-a-complete-guide-to-the-bands-studio-albums-763440.html. Retrieved 2007-12-07.
^ “Top 100 Albums”. RIAA. http://www.riaa.com/goldandplatinumdata.php?table=tblTop100. Retrieved 2008-08-11.
^ “Their Time is Gonna Come”, Classic Rock Magazine, December 2007
^ a b c d e f g h Michael Leonard, “Heaven Sent”, Q Led Zeppelin Special Edition, 2003.
^ a b c d e f g h i j k l m n o Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9.
^ Adams, Cecil. “What Do the Four Symbols on Led Zeppelin’s 4th Album Mean?”. straightdope.com. http://www.straightdope.com/mailbag/mledzeppelin.html. Retrieved 2008-08-11.
^ a b c d e f Dave Schulps, Interview with Jimmy Page, Trouser Press, October 1977.
^ James Jackson, “Jimmy Page on Led Zeppelin IV, the band’s peak and their reunion, The Times, January 8, 2010 .
^ “Zoso Jimmy Page’s symbol”. http://www.inthelight.co.nz/ledzep/zososymbol.htm. Retrieved 2009-03-25.
^ Gettings, Fred (1981). The Dictionary of Occult, Hermetic, and Alchemical Sigils and Symbols. London: Routledge & Kegan Paul Ltd. p. 201. ISBN 0-7100-0095-2. http://books.google.com/books?id=W-E9AAAAIAAJ.
^ In the 1990 Bonham tribute radio special, “It’s Been a Long Time”, son Jason Bonham confirmed that the symbol was chosen as a representation of man, woman, and child.
^ Lewis, Dave; Pallett, Simon (2007). Led Zeppelin: The Concert File. London: Omnibus Press. p. 72. ISBN 0-7119-5307-4.
^ Interview with Jimmy Page, Guitar World magazine, 1993
^ Led-Zeppelin.org. “Led Zeppelin Assorted Info”. http://www.led-zeppelin.org/reference/index.php?m=assorted3.
^ Austin Scaggs, Q&A: Robert Plant, Rolling Stone, 5 May 2005.
^ a b Tolinski, Brad; Di Bendetto, Greg (January 1998), “Light and Shade”, Guitar World
^ James Jackson, Jimmy Page on Led Zeppelin’s good times, bad times and reunion rumours, The Times, January 8, 2010 .
^ “Coldplay album gets stamp of approval from Royal Mail”. The Guardian. 8 January 2010. http://www.guardian.co.uk/music/2010/jan/08/coldplay-album-stamp-approval. Retrieved 2010-01-08.
^ a b The Infrequently Murmured Led Zeppelin Trivia List
^ Blender Review
^ Billboard Review
^ Q Review
^ Allmusic Review
^ Entertainment Weekly Review
^ Robert Christgau Review
^ Rolling Stone Review
^ BBC Review
^ “The 100 Greatest Albums Ever Made – January 1996”. Mojo. http://www.rocklistmusic.co.uk/mojo_p3.htm#albums. Retrieved 2009-02-10.
^ “The Grammy Hall of Fame Award”. National Academy of Recording Arts and Sciences. http://www.grammy.com/Recording_Academy/Awards/Hall_Of_Fame/#l. Retrieved 2007-08-18.
^ “Album of the Millenium – December 1999”. The Guitar. http://www.rocklistmusic.co.uk/50.html#guitaralbum. Retrieved 2009-02-10.
^ “Classic Rock – 100 Greatest Rock Albums Ever – December 2001”. Classic Rock. http://www.rocklistmusic.co.uk/steveparker/classicrock.htm. Retrieved 2009-02-10.
^ [[cite web| url=http://pitchfork.com/features/staff-lists/5932-top-100-albums-of-the-1970s/10/ | title=Pitchfork – Top 100 Albums of the 1970s|accessdate=2009-02-10 |publisher=Pitchfork}}
^ “The Greatest Classic Rock Albums Ever – October 2004”. Q. http://pub37.bravenet.com/forum/3172289350/show/620762. Retrieved 2009-02-10.
^ Dimery, Robert – 1001 Albums You Must Hear Before You Die; page 856
^ “100 Greatest Albums Ever – February 2006”. Q. http://www.rocklistmusic.co.uk/qlistspage2.html#Best%20Albums%20Ever%202006. Retrieved 2009-02-10.
^ “Classic Rock – 100 Greatest British Rock Albums Ever – April 2006”. Classic Rock. http://www.rocklistmusic.co.uk/steveparker/classicrock2.htm. Retrieved 2009-02-10.
^ “The Definitive 200: Top 200 Albums of All-Time”. Rock and Roll Hall of Fame (United States). http://www.rockhall.com/pressroom/definitive-200. Retrieved 2009-02-10.
^ “Top 100 Albums – 8 November 1971”. Oricon. http://www.oricon.co.jp/. Retrieved 2009-01-19.
^ “Top 20 Albums – 28 November 1971”. norwegiancharts.com. http://norwegiancharts.com/showitem.asp?interpret=Led+Zeppelin&titel=Led+Zeppelin+IV&cat=a. Retrieved 2009-01-19.
^ “Top 100 Albums – 4 December 1971”. chartstats.com. http://www.chartstats.com/albuminfo.php?id=474. Retrieved 2009-01-19.
^ “The Billboard 200 – 18 December 1971”. Billboard. http://www.billboard.com/bbcom/esearch/chart_display.jsp?cfi=305&cfgn=Albums&cfn=The+Billboard+200&ci=3069015&cdi=8736212&cid=12%2F18%2F1971. Retrieved 2009-01-19.
^ “Top 100 Albums – December 1971”. charts-surfer.de. http://www.charts-surfer.de/musiksearch.php. Retrieved 2009-01-19.
^ “Top 100 Albums – 1971”. infodisc.fr. http://www.infodisc.fr/B-CD_1971.php. Retrieved 2009-01-19.
^ “Top 100 Albums – 25 December 1971”. Cash Box. http://msdb.hp.infoseek.co.jp/cb&bb/album%20no1/1971.htm. Retrieved 2009-01-19.
^ “Top Pop Albums – 25 December 1971”. Record World. http://www.geocities.com/muggy59/RWPOPLPS1970THRU1974.html. Retrieved 2009-01-19.
^ “RPM Albums Chart – 8 January 1972”. RPM. http://www.collectionscanada.gc.ca/rpm/028020-119.01-e.php?&file_num=nlc008388.7533&volume=16&issue=20&issue_dt=January%2008%201972&type=1&interval=24&PHPSESSID=hrg50o22lgammqcogv27ve6d95. Retrieved 2009-01-19.
^ “Top 100 Albums – 5 February 1972”. PROMUSICAE. http://www.promusicae.es/english.html. Retrieved 2009-01-19.
^ “Top 20 Albums – 11 March 1972”. Go Set. http://www.poparchives.com.au/gosetcharts/1972/19720311.html#albums. Retrieved 2009-01-19.
^ “Hot 100 Singles – 12 February 1972”. Billboard. http://www.billboard.com/bbcom/esearch/chart_display.jsp?cfi=379&cfgn=Singles&cfn=The+Billboard+Hot+100&ci=3070665&cdi=8848487&cid=02%2F12%2F1972. Retrieved 17 January 2009.
^ “Hot 100 Singles – 15 April 1972”. Billboard. http://www.billboard.com/bbcom/esearch/chart_display.jsp?cfi=379&cfgn=Singles&cfn=The+Billboard+Hot+100&ci=3070674&cdi=8849424&cid=04%2F15%2F1972. Retrieved 2009-01-17.
^ “CAPIF: Led Zeppelin – 1993”. CAPIF. http://www.capif.org.ar/Default.asp?PerDesde_MM=0&PerDesde_AA=0&PerHasta_MM=0&PerHasta_AA=0&interprete=Led+Zeppelin&album=&LanDesde_MM=0&LanDesde_AA=0&LanHasta_MM=0&LanHasta_AA=0&Galardon=O&Tipo=1&ACCION2=+Buscar+&ACCION=Buscar&CO=5&CODOP=ESOP. Retrieved 2009-01-19.
^ “ABPD Led Zeppelin IV – January 1993”. ABDP. http://www.abpd.org.br/certificados_interna.asp. Retrieved 2009-01-19.
^ “CRIA Led Zeppelin IV – 28 June 1995”. CRIA. http://www.cria.ca/cert_db_search.php. Retrieved 2009-01-19.
^ “Swiss Charts Certifications: Led Zeppelin IV – 1997”. swisscharts.com. http://swisscharts.com/awards.asp?year=1997. Retrieved 2009-01-19.
^ “Disque en France: Led Zeppelin IV – 18 October 2001”. SNEP. http://www.disqueenfrance.com/fr/monopage.xml?id=259165&year=2001&type=13. Retrieved 2009-01-19.
^ “PROMUSICAE Led Zeppelin IV – 2002”. PROMUSICAE. http://www.promusicae.es/english.html. Retrieved 2009-01-19.
^ “Bundesverband Musikindustrie: Led Zeppelin IV – 2003”. musikindustrie.de. http://www.musikindustrie.de/gold_platin_datenbank/?action=1&strSuche=Led+Zeppelin+IV. Retrieved 2009-01-19.
^ “ARIA Album Accreditations – 31 December 2004”. ARIA. http://www.aria.com.au/pages/aria-charts-accreditations-albums-2004.htm. Retrieved 2009-01-19.
^ “RIAA Gold & Platinum: Diamond Awards”. RIAA. http://www.riaa.org/goldandplatinumdata.php?resultpage=1&table=tblDiamond&action=. Retrieved 2009-11-18.
^ “NVPI: Led Zeppelin IV – 2006”. NVPI. http://www.nvpi.nl/nvpi/pagina.asp?pagkey=60461#resultaat. Retrieved 2009-01-19.
^ “BPI Led Zeppelin IV certification – 23 November 2007”. BPI. http://www.bpi.co.uk/platinum/platinumright.asp?rq=search_plat&r_id=33078. Retrieved 2009-01-19.
External links
Led Zeppelin IV at MusicBrainz
v d e
Led Zeppelin
John Bonham John Paul Jones Jimmy Page Robert Plant
Studio albums
Led Zeppelin Led Zeppelin II Led Zeppelin III Led Zeppelin IV Houses of the Holy Physical Graffiti Presence In Through the Out Door Coda
Live albums
The Song Remains the Same BBC Sessions How the West Was Won
Compilations
Led Zeppelin Profiled Remasters Boxed Set 2 Complete Studio Recordings Best of Led Zeppelin Mothership Definitive Collection
Singles
“Good Times Bad Times” / “Communication Breakdown” “Whole Lotta Love” / “Living Loving Maid (She’s Just a Woman)” “Immigrant Song” / “Hey Hey What Can I Do” “Black Dog” / “Misty Mountain Hop” “Rock and Roll” / “Four Sticks” “Over the Hills and Far Away” / “Dancing Days” “D’yer Mak’er” / “The Crunge” “Trampled Under Foot” / “Black Country Woman” “Candy Store Rock” / “Royal Orleans” “Fool in the Rain” / “Hot Dog”
Films
The Song Remains the Same Led Zeppelin
Tours
Scandinavia 1968 U.K. 1968 North America 1968/1969 U.K. & Scandinavia 1969 North America Spring 1969 U.K. Summer 1969 North America Summer 1969 Europe Autumn 1969 North America Autumn 1969 U.K. 1970 Europe 1970 North America Spring 1970 Iceland, Bath & Germany 1970 North America Summer 1970 U.K. Spring 1971 Europe 1971 North America 1971 Japan 1971 U.K. Winter 1971 Australasia 1972 North America 1972 Japan 1972 U.K. 1972/1973 Europe 1973 North America 1973 North America 1975 Earls Court 1975 North America 1977 Knebworth 1979 Over Europe 1980 Ahmet Ertegn Tribute Concert 2007
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Categories: 1971 albums | Albums produced by Jimmy Page | Atlantic Records albums | Grammy Hall of Fame Award recipients | Led Zeppelin albums | Untitled works
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