Stained Glass Painting 6 Big Myths Which Maintain You Again
Right here are 6 big myths of kiln-fired stained glass painting. Throw away these foolish myths and just take your stained glass painting to wonderful heights! Fasten your seat-belt and be prepared for the ride of your existence.
The way we paint will modify the way you paint!
Myth #1 – “Paint your trace lines very first”
This would seem apparent, and it’s what all the textbooks tell you to do.
But, when you paint a place, what’s the very first thing you do once you have cleaned all the surfaces?
You paint an undercoat!
It can be just the same with glass. When you very first paint an undercoat above the complete floor of the glass, your tracing lines will have a gorgeous surface to stick to. It can be wonderful how much less difficult it is to paint a neat tracing line when you are no lengthier painting on bare glass but an on unfired undercoat rather.
Just take care to paint the undercoat as lightly and evenly as probable and then to allow it dry. Then start off to paint the other particulars.
Using an undercoat is frequent perception when you feel about it, and it operates like a dream.
Myth #2 – “Paint and fireplace your trace lines ahead of you paint your shadows and matting”
Properly, this is so considerably a part of received wisdom that we sense a bit like Galileo when we tell you that it’s just not genuine.
Of program, if you genuinely want to, you can certainly paint and hearth your trace lines initial, but the position is you do not have to.
In simple fact, you can paint many shadows prior to you paint your trace lines: your glass painting will grow to be extraordinarily delicate and suggestive when you do this.
Here is what you do.
Commence by painting a mild, even undercoat over the total surface of the glass and let it dry.
Now paint some light, dry trace lines exactly where you want some shadows to be, and allow them dry.
Then boost these lineswith 2nd coats and permit them dry.
The final step is to paint a mild wash above the total surface of the unfired glass, and, although this paint is still wet, use your blender to soften the trace lines and turn them into mild shadows.
As soon as the paint is dry, you can then trace more details. The result is attractive: mild blurs and shadows which soften the boldness of your trace lines.
Myth #three – “You ought to fireplace a layer of paint ahead of you paint on top rated of it – or else the paint will blister in the kiln”
There are many brings about of blistering, but painting on top of unfired paint is not a single of them: we typically paint six layers of paint, then hearth our glass just the moment. Which is appropriate: we layer up our paint and hearth our glass just the moment. The paint never blisters. So what brings about blistering? There are four principal triggers.
A. As well much gum Arabic in your paint: the answer is to dilute your paint so that it contains a smaller proportion of gum Arabic.
B. Not waiting till a previous layer is fully dry: the remedy is to allow previously layers constantly to dry fully just before you paint on best of them.
C. Correcting a line or shadow just before it dries: the solution is to let a stroke to dry fully ahead of correcting it.
D. An incorrect firing schedule: contemplate slowing the fee of improve, reducing the best temperature and/or decreasing the amount of time that you hold the best temperature.
Follow these ideas and you’ll be ready to paint on leading of unfired paint as considerably as you want. The result can be astonishing – and your paint is not going to blister!
Myth #4 – “You won’t be able to paint on each sides of the glass and hearth the glass just the moment”
When you paint on the two sides of a piece of glass, you make a magical feeling of depth.
For example, you can consider a blue piece of glass and paint waves on best and fish beneath (as if you have been peering by means of the waves to see the fish below).
The edge of doing this in a solitary firing is that you can alter both sides just before repairing them completely in the kiln.
Most people will not even think about painting on both sides of the glass. And, of those who do, most of them think every single aspect need to be fired separately, but this is just not accurate.
At our studio, we position our glass on a bed of plaster of Paris: the warmth from the kiln is much more than ample to fire paint on the two sides at once, and the underside by no means sticks.
Try this technique for your self and see what we mean!
Myth #five – “You won’t be able to combine oil and drinking water”
Once again, this looks so self-evident that no 1 at any time concerns it or even considers how to consider edge of it.
But we did, and here is the strategy we’ve pioneered.
First of all we use some h2o-centered paint to shade and trace as common.
Then, ahead of firing, we use some oil-based paint and create much more particulars. It really is remarkable, but the oil-based paint won’t disturb the unfired h2o-based mostly paint beneath.
Then we fire the glass just once. In this way we can include as several as six layers of paint all on top of one an additional and finish our glass in a solitary firing.
Myth #six – “The very best way to mix glass paint is to blend a teaspoonful at a time”
We have left this myth until previous due to the fact we very first needed to exhibit the 5 wonderful things we can do in our stained glass studio. And the cause we can do them is that we Always paint with a LUMP of paint.
We usually combine several ounces of glass paint at a time, create a tiny gum Arabic and just enough water so that the glass paint is like a bulbous jelly fish that is been cleaned up on a seashore.
This lump, of training course, is too thick and dark to paint with as it is. But this means we can dilute it a tiny at a time and so get ready little batches of glass paint which are the perfect consistency for the up coming few of strokes. So the lump lasts for ages. We cover the lump when we are not making use of it, and we re-combine it from time to time.
Liberate your painting – paint with a LUMP! Painting with a lump is your passport to a entire new planet of beautiful glass painting.
What transpires when you toss away these six massive myths of stained glass painting?
It does not issue what all the books say. It does not even matter what the experts say. The only point which issues is what performs. We threw absent these six large myths some decades back, and you can see our painted stained glass in buildings across the planet. If what we say strikes a cord in your heart and excites you ahead to new capabilities, we’ll be completely thrilled.
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