Abstract Patterns on Chinese bronze sculpture
Of course, part of the background image is more complex animals, they may have been conquered country the alien side, or cast in bronze on his bionic totem, they pay tribute to the Shang. Decorative patterns of the bronze sculpture generate a third dimension. Therefore, the image of these bronze decoration, not the myth of the mainstream system of the Shang Dynasty, Shang Dynasty, but never with the myth of inherent system diametrically opposed.
Religion means the most concentrated when the number of taotie. Xiechong An Animal Mask has this comment: It is derived from the original totem God, and therefore it is ancestral idols, when the totem God into the personality of God, both to maintain the ancestral nature of God idols, but also became a symbol of the king when , it has become a fixed object of worship, which is weighing as ancestral ritual bronze why its prominent position in the Animal Mask engraved on the reason. The entire bronze sculpture is intricate in the decorations. It grimace in pain, rich and strange, in solemn silence, smoke-filled places of worship even more grim horror. Shang people about the great divine to unpredictable performance, and to convey the awe of their gods and worship ancestors. No matter from which angle, the viewer is able to watch its intact decorative effect of this china bronze sculpture. They also believe that Ning Li gluttonous system can be fierce fierce, scare the spirits, to pray the effect of evil spirits. Future generations to the mighty, grim keeper evil, that looks evil ghost of Zhong Kui to V, etc., which means this should be the same strain. Taotie shape, although terrible, but reflects the concept of a romantic destiny, but it reveals some of the Shang people naive and childish.
Shang kings and nobles sincerely hope with reality and abstract bronze ornamentation to communicate with people of God, and thus show their proximity to God, to their own unique on Reattachment, trumped the divine. The aim is to help God’s remaining prestige to deterrence is the ruling class, to make their sacred rule, rationalized, stable technology. The patterns on the bronze statue are uneven and rugged and well-proportioned of a three-dimensional aesthetic value. Visible, bronze and pottery later than the secular atmosphere, although relatively weak, but that does not mean they are the absolute sight to behold as the existence of religion, they also have strong social utilitarian.
Shang bronze decoration and function of matching containers, both to maintain certain flexibility, so rich in symbolic ornamentation. At the same time, it mirrors that Wu bronze sculpture emphasize on the third dimension. This means that the decoration of the configuration to take into account not only the religious significance, political significance, etc., but also with consistent shape throughout the vessel, Fu-shaped pattern due. The general theme of pattern in the abdomen, circular foot wide at the other space, auxiliary pattern fill in the gap at, and different ornaments in the shape of the decoration will the space of different shapes, such as Liling in Hunan in 1975 unearthed as mountain lion-shaped statue, wide.
As the main body decorated with a huge taotie, spare some others Kui, phoenix, tiger and other supplement is all-pervasive pattern of mine to fill every blank on; as inverted legs were decorated with patterns and independent taotie Kui; narrow trunk, only a simple bar, not too much decoration. Decorative patterns of the china bronze sculpture present the sense of symmetry.
Decoration and utensils complement each other, utensils for decoration and shiny, while adding a rich decoration because of the connotation of containers. Early in the fire main decorative pattern generation, the Yin Ruins late will fire a large number of decorative patterns on the water in Ning. At that time the water heater, such as turn on the most decorated with dragon image.
Abstract Patterns on Chinese bronze sculpture
Of course, part of the background image is more complex animals, they may have been conquered country the alien side, or cast in bronze on his bionic totem, they pay tribute to the Shang. Decorative patterns of the bronze sculpture generate a third dimension. Therefore, the image of these bronze decoration, not the myth of the mainstream system of the Shang Dynasty, Shang Dynasty, but never with the myth of inherent system diametrically opposed.
Religion means the most concentrated when the number of taotie. Xiechong An Animal Mask has this comment: It is derived from the original totem God, and therefore it is ancestral idols, when the totem God into the personality of God, both to maintain the ancestral nature of God idols, but also became a symbol of the king when , it has become a fixed object of worship, which is weighing as ancestral ritual bronze why its prominent position in the Animal Mask engraved on the reason. The entire bronze sculpture is intricate in the decorations. It grimace in pain, rich and strange, in solemn silence, smoke-filled places of worship even more grim horror. Shang people about the great divine to unpredictable performance, and to convey the awe of their gods and worship ancestors. No matter from which angle, the viewer is able to watch its intact decorative effect of this chinese bronze sculpture. They also believe that Ning Li gluttonous system can be fierce fierce, scare the spirits, to pray the effect of evil spirits. Future generations to the mighty, grim keeper evil, that looks evil ghost of Zhong Kui to V, etc., which means this should be the same strain. Taotie shape, although terrible, but reflects the concept of a romantic destiny, but it reveals some of the Shang people naive and childish.
Shang kings and nobles sincerely hope with reality and abstract bronze ornamentation to communicate with people of God, and thus show their proximity to God, to their own unique on Reattachment, trumped the divine. The aim is to help God’s remaining prestige to deterrence is the ruling class, to make their sacred rule, rationalized, stable technology. The patterns on the bronze sculpture are uneven and rugged and well-proportioned of a three-dimensional aesthetic value. Visible, bronze and pottery later than the secular atmosphere, although relatively weak, but that does not mean they are the absolute sight to behold as the existence of religion, they also have strong social utilitarian.
Shang bronze decoration and function of matching containers, both to maintain certain flexibility, so rich in symbolic ornamentation. At the same time, it mirrors that Wu bronze sculpture emphasize on the third dimension. This means that the decoration of the configuration to take into account not only the religious significance, political significance, etc., but also with consistent shape throughout the vessel, Fu-shaped pattern due. The general theme of pattern in the abdomen, circular foot wide at the other space, auxiliary pattern fill in the gap at, and different ornaments in the shape of the decoration will the space of different shapes, such as Liling in Hunan in 1975 unearthed as mountain lion-shaped statue, wide.
As the main body decorated with a huge taotie, spare some others Kui, phoenix, tiger and other supplement is all-pervasive pattern of mine to fill every blank on; as inverted legs were decorated with patterns and independent taotie Kui; narrow trunk, only a simple bar, not too much decoration. Decorative patterns of the bronze sculpture present the sense of symmetry.
Decoration and utensils complement each other, utensils for decoration and shiny, while adding a rich decoration because of the connotation of containers. Early in the fire main decorative pattern generation, the Yin Ruins late will fire a large number of decorative patterns on the water in Ning. At that time the water heater, such as turn on the most decorated with dragon image.
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