A Short Synosis Of The Dead Or Alive Trilogy By Takashi Miike
You might not have heard of these movies. If you’re thinking about the ones based on the Xbox and Playstation games, we’re not talking about those, but rather the trilogy of bizarre action flicks by Japanese crazy-man director Takashi Miike. This trilogy of movie downloads offers just what you’re looking for if you’ve gotten tired of the same old same old from American action flicks and you’re ready for something a little different, and a little strange.
The first in the series, Dead or Alive, was focused on the idea of simply teaming up the cult legends Sho Aikawa and Riki Takeuchi, sort of the Robert DeNiro and Al Pacino of the cult Japanese film scene. So think of it like Japan’s answer to Heat. Interestingly, the movie was meant to solve one of the main problems with that movie: The ending was kind of an anti-climax.
We won’t spoil that ending for you, but save to say that it certainly solves the whole anti-climax problem. From beginning to end, the whole movie is like one big super climactic showdown. Every minute you’re going to be seeing something you’ve never seen before, something you can’t believe you just saw, and something you wish you hadn’t seen.
Dead or Alive 2 is both a sequel and not a sequel. The two leads are recast as two entirely different characters, but they sort of parallel the original two characters. In the original, they were a cop and a gangster after one another’s throats. This time, they’re best friends. They grew up together in an orphanage and now work as hitmen who donate all their proceeds to fighting disease in third world countries.
The first movie in the series has a very negative edge to it, it’s very harsh. This one is all heart, it’s very positive, so it’s interesting to see the whole thing flipped on its head. It also deals a little more responsibly with the cost of violence on a person’s soul.
The third of the trilogy, Dead or Alive Final, takes the series in an all new direction, getting into a science fiction setting akin to Blade Runner. It might not be the best of the trilogy, but it has to be seen so you can see how it ties the whole trilogy together in a strange way.
If you want more after these three flicks, check out Deadly Outlaw Rekka also by Miike. It really takes the same approach to action. Everything is very over the top and surreal, and it’s all pretty exciting.
The trailer for the first movie in the trilogy proudly declares that Miike is the mad dog of Japanese film, and it’s true, that’s not just hyperbole. The guy makes something like four or five movies a year, and has created over one hundred total over the course of his career. Not all of them are of the same quality, but for just one in ten movies to be great, that’s ten great films, which is more than most directors ever get a chance to put out.
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