The Typical Shape of the bronze sculpture of Shang Dynasty
Bronze sculpture of human emotion in the material manifestation of the material, the material is bronze sculptor started Arts. Surgery wing thinking in order to express their emotions, always focussed on poetry of the carrier. Almost all the lid and belly of the ancient bronze sculpture are covered mostly with four or eight ridges correspondingly. Bronze sculpture of a lack of material support will inevitably lead to poor artistic language. Bronze sculptures of different materials, whether metal, wood, glass or plastic, bronze sculpture of different materials can always play a different character, Tolstoy once said: Art is emotional infection, a true artist is the performance of the emotion, the actual works of art materials on the application of emotional expression is the carrier of the artist is to express their own feelings as a form of expression, modern bronze sculptor of the beauty of focusing on the value of the material itself, with the beauty of the material, to express their inner experience.
Image. With different painting, art and special characteristic of language production skills to a large extent constrained by the material characteristics.Material is bronze statue of the basic premise of the material, physical body to obey the spirit and material, which is the bronze sculpture of a basic principle. The whole bronze sculpture is decorated with Yunlei Wen (a kind of decoration). Selection and application of materials, direct impact on the creative ideas and works of body composition. Contains all the material itself has social significance and aesthetic principles. Each material has its unique characteristics different from other materials, using different materials to create sculptures out of bronze image is not simply a normal image, but has deep spiritual meaning of life and other images of the chinese bronze sculpture.
Material as a bronze sculpture of language, only by understanding its nature, in order to use the right tools, comply with the properties of the materials, according to the appropriate mode of operation and procedures for processing, in order to work to achieve the perfect unity of thought and form. Fang yi, a sort of bronze sculpture in ancient China, in the Late Shang was generally more straight-walled and mouth broader than the bottom. Aesthetic value of the material in the embodiment of modern china bronze sculptures. After the industrial revolution the rapid development of modern science and technology, a direct impact on people’s lifestyles, emerging materials, new processing methods and new technology, a significant shift in the continuation of the long process procedures and artistic requirements, especially metal bronze sculpture. Different physical materials, through the artist’s process, use, will reflect the different artistic taste.
Attaches great importance to traditional metal bronze sculpture material sense of their own value, gold, silver, copper, iron and other metals, especially gold, as precious objects, silver has been the human social status, identity and a symbol of wealth. The width of the bronze sculpture is twice as long as the height. A large number of bronze sculptures of metal occupants, mainly upper-class elite, and their aesthetic taste of a direct impact on the development of leading metal arts, thus forming the pursuit of luxury aesthetic orientation and poor working very clever in their craft, constitute the traditional metal sculpture fine bronze beautiful, ornate style of harassment. Modern Metal Art, more attention is the aesthetic value of their own material, and given the wealth of spirit and content, a strong expansion of the metal material of the expressive and appealing. According to the texture characteristics of the material itself to design, concept china bronze sculpture statue, known as the modern art is an important principle.
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