you’ll be able to find almost any piece this season – shirts, pants
The third theme is inspired by sunsets and warmer light and bcbgmaxazria dresses 2010 sees feminine colours of orange, yellow, red, pink, and purple – “soft and romantic, but still fun and happy”, according to the firm.
Sparkling and glittering materials speak of evenings out with friends and joyful times. The fourth theme – the clubbing end of the day – contrasts neutral and natural with warm and chic colours; here there is “eccentric” use of animal prints, particularly zebra, snake and leopard, setting a trend with the clash of classic and graphic, urban jungle style, Furla said.
If you think you look great in mint green, or are comfortable making it a dominant part of your outfit, you’ll be able to find almost any piece this season – shirts, pants, skirts and dresses – in this springy hue. Maybe you’re one of those lucky people who wear pastels particularly well, which means you should take advantage of this opportunity and choose a crisp button-down, camisole or dress in mint green.
Her latest collection seemed to turn couture, and the fashion world’s obsession with iconic shapes and structure, on its ear. Her opening coats, nipped-waist jackets and dresses were rendered as flat two-dimensional shapes in a polyester felt. Their size reinforced the bcbgmaxazria dresses 2011 point; they looked stamped out, like so many handbags, by those mercurial giants of fashion. The fashion show took place in a scenery decorated with in-sync details, a Class of 2013 sign hanged on the wall and a band playing in the background, so the theme of the collection was very well defined. However, the designs took a highly visible 50s or 60s turn as models appeared on the catwalk with bouffant hairstyles, well defined eye makeup and various color capri pants, pencil skirts and mohair sweaters.
Ms. Kawakubo doesn’t explain her fashion. (She typically offers one or two words; this season, it was “the future in two dimensions.”) When asked about a couture influence, she could see such a connection, she said, but it wasn’t part of her thought process. Strikingly, these designs are extraordinarily simple, the opposite of most fashion nowadays. The felt and sequined-felt pieces are completely flat and stitched an inch from the outer edge, and none of the clothes have any inner structure. Yet they floated angelically on the models.
Tough and tender was expressed as leather scarves in blue, edged in black and white, and jauntily tied in a V at the neck.