but she shot me such a reproachful
A few of the voyagers were able to walk ashore, some were assisted, others were carried; and as the pale, haggard, truthful company gathered on the beach, they were met by a boisterous, happy crowd of Ananiases and Sapphiras, sunburned, warm, full of tea and cakes and high spirits, and with the moral law already so uncertain in their minds that at the sight of the suffering non-liars it tottered to its fall.
Ronald hopes that Lady Rowardennan and the matron may perhaps have gained some useful experience by the incident, though the orphans, truthful and untruthful, are hopelessly mixed in their views of right-doing.
He is staying now at the great house of the neighbourhood, while his new manse is being put in order. Roderick, the piper, he says, has a grand collection of pipe tunes given him by an officer of the Black Watch. Francesca, when she and Ronald visit the Castle on their wedding journey, is to have ‘Johnnie Cope’ to wake her in the morning, ‘Brose and Butter’ just before dinner is served, a reel, a strathspey, and a march while the meal is going on, and, last of all, the ‘Highland Wedding.’ Ronald does not know whether there are any Lowland Scots or English words to this pipe tune, but it is always played in the Highlands after the actual marriage, and the words in Gaelic are, ‘Alas for me if the wife I have married is not a good one, for she will eat the food and not do the work!’
"You don’t think Ronald meant anything personal in quoting that?" I asked Francesca teasingly; but she shot me such a reproachful look that I hadn’t the heart to persist, her face was so full of self-distrust and love and longing.
What creatures of sense we are, after all; and in certain moods, of what avail is it if the beloved object is alive, safe, loyal, so long as he is absent? He may write letters like Horace Walpole or Chesterfield–better still, like Alfred de Musset, or George Sand, or the Brownings; but one clasp of the hand that moved the pen is worth an ocean of words! You believe only in the etherealised, the spiritualised passion of love; you know that it can exist through years of separation, can live and grow where a coarser feeling would die for lack of nourishment; still though your spirit should be strong enough to meet its spirit mate somewhere in the realms of imagination, and the bodily presence ought not really to be necessary, your stubborn heart of flesh craves sight and sound and touch. That is the only pitiless part of death, it seems to me. We have had the friendship, the love, the sympathy, and these are things that can never die; they have made us what we are, and they are by their very nature immortal; yet we would come near to bartering all these spiritual possessions for the ‘touch of a vanished hand, and the sound of a voice that is still.’
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