Chinese porcelain, "Queen ceramics" peerless treasure Enamel – ceramic
Is a very rare enamel glaze color, glaze color for the highest. Enamel is the DPRK in the late Qing Dynasty when Emperor Kangxi, the Western painted enamel cloisonne metal tire material, a transplant to the porcelain body on the initiative.
"Qing Dynasties" Enamel produce very sophisticated, high-grade fine except prefabricated bisque factory in Jingdezhen Kilns kind of burn out by the court, the rest of the process all the Imperial Household Office was in court for, Yongzheng six years since? start a home-made enamel material. "Qing Dynasties" by the court painter, painted porcelain enamel, a very cost hours of work, and the high cost, yield little more than small pieces of device. Enamel is made, all the royal monopoly, shall not be rumor. Qing Emperor Kangxi, Yongzheng and Qianlong reigns in the court of Queen's famous porcelain. Good factor has been burning in the coating color material for tires on the bottom, add painted decorations in the background, and then fired at by the fire. Divided into "filigree enamel" and "enamel paint" two. The beginning of this copper fetal
enamel painting techniques into China, to the West enamel painted on the porcelain body on the material, creating fire in the late Kangxi to Yongzheng and Qianlong reached its peak. Enamel is the most prominent feature is the color of painting, applied color though thinner, but it seems there is uneven three-dimensional, screen-level bright, magnificent colors, exquisite exception. Kangxi
cloisonne is still in its infancy. Enamel materials were all imported, imposing color after firing, no vitreous luster, the end of a very fine enamel glaze of ice crack. Shapes are mostly bowls, plates, cups and other small pieces of circular device; decorative patterns are mostly in the red, yellow, blue, powder of various colors painted on the ground peony, rose, lotus, chrysanthemum, color to paint is enamel Kangxi characteristics. When Yongzheng cloisonne production levels increased, more sophisticated technology. Yongzheng was a small amount of color enamel, the more white on the floor painting. Decorative patterns drawn wide range of form and accompanied by drawing lines and seals, and similar to Chinese painting. The calligraphy drawn into the "four kings" of the landscape, Yun Nam Tin, Zou Yigui of flowers, birds, Qiu Ying, Xiao F, figures and other charges, together with the painting at that time were all Enamel Ming Jiang master, such as the Tang Dynasty when Emperor Yongzheng Dai, Dai Heng, Tang Zhenji, Hejin Kun, Song Jie, Zhang Qi, Mr Li Nan, Tam Wing, etc., which increase the level of ceramic decorative arts, undoubtedly play an active role. When Qianlong porcelain enamel painted white and color to both, and also with blue and white enamel or other decorative glaze combination. Subject was greatly enriched, in addition to continue with flowers, birds, landscapes, the figures have emerged, such as children at play, such as Western people. One Western ladies for the Qianlong porcelain enamel decoration typical three-dimensional effect with Western oil painting, delicate and elegant. This Western style of cloisonne, also known as "foreign color."
Enamel Queen's palace as pure porcelain, it has cache of the palace, and because firing costs are high, handed down at home and abroad, according to statistics of Kangxi, Yongzheng and Qianlong porcelain enamel DPRK, but the number of several hundred , and the majority of the National Palace Museum in Taipei and Beijing Palace Museum, only a very small part of the diaspora abroad. [Keyword Search]: Ceramics Ceramics Decoration Large In Small
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