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I can’t say that reaction surprised me, given that “Men’s” premise recalls half-hour “Are we really grown-ups now?” comedy-dramas such as “My Boys,” “The League” and “Californication.” (Actually, here’s the shorthand for “Men”: It’s “Californication” with less fornication, “The League” with less raunchiness and “My Boys” with only three boys, who meet frequently at a local diner instead of a neighborhood bar.) My mixed-to-meh reaction pained me a little, given that I’d watch Andre Braugher read the phone book.
Thank God! For once, a middle-aged African-American woman who isn’t reduced to the stereotypical finger-waving “sassy black gal.” Even the sideliners are cast brilliantly especially Jon Manfrellotti, who plays Joe’s bookie (why haven’t I seen this guy before?), and Lil’ JJ who plays Sean, a guy who works in the party shop and who can’t bear Joe’s music piping out of his jukebox. “Who is this lady singing right there,” Sean whines. To which Joes responds, “Neil Sedaka.” I can’t imagine who the audience is for this show, but, then again, maybe if you like Mamet’s men, you’ll love Romano’s regular Joes. I sure do.
Andre Braugher scored an Emmy nomination for his first-season portrayal of the self-doubting Owen, and Men of a Certain Age shines as a beacon of distinctiveness in TNT’s schedule of female crime-solvers (The Closer, Rizzoli & Isles) and gloomier versions of USA Network’s ”Characters Welcome” lightness (Leverage, the just-canceled Dark Blue). It’s cable’s finest odd duck: tales of three middle-aged guys who scorn the sexy/cool/ad-friendly demo.
To give you some idea of how good and unusual this show is, the standout moments of Men’s season premiere involve Joe’s discomfort over having to use reading glasses for the first time. Self-conscious about aging and his newly single status, he can barely bring himself to do things that might give him joy, whether it’s golfing or dating. Similarly, Owen can’t revel in the victory he secured at the end of last season – forcing his imperious dad (Richard Gant) to let him run the dealership – because as soon as he takes over, he faces new ego-battering problems, such as a sales staff that dismisses him as a mere daddy’s boy. And by the show’s second episode, Terry, who’s already admitted that his acting career has gone nowhere, is also ready to chuck his car-salesman job. He can’t take the humiliation inflicted by his colleagues, who’ve discovered a YouTube video of an embarrassingly campy TV commercial Terry made years ago. These are not, to put it mildly, happy men.
The aging playboy does love wooing the ladies, but he has enough self-awareness to know that his rootless lifestyle is getting more pathetic by the year (and at some point, he’ll figure out that the highlights in his hair are not a good idea). “Men,” which was created by “Everybody Loves Raymond’s” Ray Romano and Mike Royce, gives Romano the potentially most interesting character to play. Joe is a middle-aged party store owner who’s living in a hotel as his marriage disintegrates. In this role, Romano attempts to do more than he ever did on “Raymond,” with some success, but I can’t escape the feeling that a more skilled actor would have been able to give Joe’s self-pity, fear and frustration more nuances.
There are a few confrontations or comedic moments that catch fire, but mostly “Men” just ambles along, sometimes perceptively and sometimes lazily observing the lives of these guys, who have stumbled into middle age and its grinding routines and hard-won but significant satisfactions. These observations don’t add up to much and the show’s pace frankly becomes tedious at times. If these appealing actors anchored a better-constructed half-hour show, “Men’s” low-key charms would be a lot more effective. But I guess middle age isn’t necessarily about getting what you want.
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