Embroidery stitch

Technique

Basically, there are two ways to do embroidery efficiently and orderly. What works better depends on the stitches and materials used, and on personal preference.

Hand-sewing method

The needle is brought to the upside of the fabric. For doing the stitch properly, it is inserted into the fabric and brought back to the surface in one movement. Then the thread is pulled through. The same method is used for plain hand sewing.

A thimble is usually used on the middle finger to avoid minor injury. Once the needle is inserted into the fabric, the hooded middle finger is used to push it through; the thumb and index finger grab the needle at the front as soon as possible and pull at the same time. This can speed up working when the embroiderer is used to it.

This method can be done using an embroidery frame or free-hand, but usually an embroidery frame or hoop is used to make work easier. The technique uses frames that allow for adjustment of fabric tension, as the fabric can’t be too strongly stretched. in order to allow inserting the needle without pulling the fabric too much.

Stab method OR Maggam work

This method is popular in India.

The needle is inserted into the fabric at a 90 degree angle, then the thread is pulled through. Then, the needle is again inserted, this time from the underside to the surface; again, the thread is pulled through.

A thimble is not usually required to avoid injury with this method, but is sometimes used to make pushing the needle through easier.

A frame or hoop is used. A mounted hoop or frame makes the work faster, such that both hands are free for the embroidery. The dominant hand is held under the fabric, the non-dominant hand above it, and the needle is handled by each respective hand without necessity for hand position changes.

This embroidery is also called as AARI Work which is like a chain stitch

Common Stitches

Embroidery uses various combinations of stitches. Each embroidery stitch has a special name to help identify it. These names vary from country to country and region to region. Some embroidery books will include name variations. Taken by themselves the stitches are mostly simple to execute, however when put together the results can be extremely complex.

Straight stitches

Main article: Straight stitch

Straight stitches pass through the fabric ground in a simple up and down motion, and for the most part moving in a single direction. Examples of straight stitches are:

Running or basting stitch

Simple satin stitch

Algerian eye stitch

Fern stitch

Straight Stitches that have two journeys (generally forwards and backwards over the same path). Examples:

Holbein stitch, also known as the double running stitch

Bosnian stitch

Back stitches

Main article: Backstitch

Back stitches pass through the fabric ground in an encircling motion. The needle in the simplest backstitch comes up from the back of the fabric, makes a stitch to the right going back to the back of the fabric, then passes behind the first stitch and comes up to the front of the fabric to the left of the first stitch. The needle then goes back to the back of the fabric through the same hole the stitch first came up from. The needle then repeats the movement to the left of the stitches and continues. Some examples of a back stitch are:

Stem stitch or outline stitch

Split stitch. The needle pierces the thread as it come back up.

Crewel stitch

Chain stitches

Main article: Chain stitch

Chain stitches catch a loop of the thread on the surface of the fabric. In the simplest of the looped stitches, the chain stitch, the needle comes up from the back of the fabric and then the needle goes back into the same hole it came out of, pulling the loop of thread almost completely through to the back; but before the loop disappears, the needle come back up (a certain distance from the beginning stitch -the distance deciding the length of the stitch), passes through the loop and prevents it from being pulled completely to the back of the fabric. The needle then passes back to the back of the fabric through the second hole and begins the stitch again. Examples of chain stitches are:

Chain stitch

Lazy Daisy stitch, or detached chain. The loop stitch is held to the fabric at the wide end by a tiny tacking stitch.

Spanish Chain or Zig-zag Chain

Buttonhole stitches

Main article: Buttonhole stitch

Buttonhole or blanket stitches also catch a loop of the thread on the surface of the fabric but the principle difference is that the needle does not return to the original hole to pass back to the back of the fabric. In the classic buttonhole stitch the needle is returned to the back of the fabric at a right angle to the original start of the thread. The finished stitch in some ways resembles a letter “L” depending on the spacing of the stitches. For buttonholes the stitches are tightly packed together and for blanket edges they are more spaced out. The properties of this stitch make it ideal for preventing raveling of woven fabric. This stitch is also the basis for many forms of needle lace. Examples of Buttonhole or Blanket Stitches.

Blanket stitch

Buttonhole stitch

Closed Buttonhole stitch, the tops of the stitch touch to form triangles

Crossed Buttonhole stitch, the tops of the stitch cross

Buttonhole stitches combined with knots:

Top Knotted Buttonhole stitch

German Knotted Buttonhole stitch

Tailor’s Buttonhole stitch

Feather stitches

Main article: Featherstitch

Feather or fly stitches also catch a loop of thread on the surface of the fabric but they differ from buttonhole stitches in that the catching of the loop is not at right angles or it alternates from side to side. The result is a very naturalistic looking stitch that is often used to make leaves and branches. Examples of fly stitches are:

Fly stitch, or Y stitch

Feather stitch

Faggoting stitch, or Straight Open Cretan

Cretan Stitch

Cross stitches

Main article: cross stitches

Cross stitches or cross-stitch have come to represent an entire industry of pattern production and material supply for the craft person. The stitch is done by creating a line of diagonal stitches going in one direction, usually using the warp and weft of the fabric as a guide, then on the return journey crossing the diagonal in the other direction, creating an “x”. Also included in this class of stitches are:

Herringbone stitches, including the hem stitch

Breton stitch, here the threads of the “x” are twisted together

Sprat’s Head stitch

Crow’s Foot stitch, these last two stitches are often used in tailoring to strengthen a garment at a point of strain such as a pocket corner or the top of a kick pleat.

Many examples of cross stitches can be found here

Knotted stitches

Main article: Knotted stitch

Knotted stitches are formed by wrapping the thread around the needle, once or several times, before passing it back to the back of the fabric ground. This is a predominate stitch in Brazilian embroidery, used to create flowers. Another form of embroidery that uses knots is Candlewicking, where the knots are created by forming a figure 8 around the needle. Examples of knotted stitches are:

French knot, or twisted knot stitch

Chinese knot, which varies from the French knot in that it takes a tiny stitch in the background fabric while creating the knot

Bullion knots

Coral stitch

There are also more complex knotted stitches such as:

Knotted Loop stitch

Plaited Braid stitch

Sorbello stitch

Diamond stitch

Knotted edgings based on buttonhole stitches include:

Antwerp edging stitch

Armenian edging stitch

Couching and laid work

Main article: Couching (embroidery)

Couching or laid stitches involve two sets of threads, the set that is being ‘laid’ onto the surface of the fabric and the set which attach the laid threads. The laid threads may be heavier than the attaching thread, or they may be of a nature that does not allow them to be worked like a regular embroidery thread, such as metal threads. The stitches used to attach the laid thread may be of any nature; cross stitch, buttonhole stitch, straight stitch; but some have specific names:

Pendant couching,

Bokhara couching

Square laid work

Oriental couching

Battlement couching

Klosterstitch

Roumanian couching

References

Barnden, Betty. The Embroidery Stitch Bible. Iola, WI: Krause Publications, 2003

Christie, Grace (Mrs. Archibald Christie). Embroidery and Tapestry Weaving, London, John Hogg, 1912

Eaton, Jan. Mary Thomas’s Dictionary of Embroidery Stitches. Revised by Jan Eaton. London: Hodder&Stoughton, 1989

Enthoven, Jacqueline. The Creative Stitches of Embroidery, Van Norstrand Rheinhold, 1964, ISBN 0-442-22318-8

Gostelow, Mary. The Coats Book of Embroidery. London: David&Charles Ltd, 1978

Karasz, Mariska. Adventures in Stitches: A New Art of Embroidery. New York: Funk & Wagnalls, 1947

Nichols, Marion. Encyclopedia of Embroidery Stitches, Including Crewel. New York: Dover Publications, 1974

Reader’s Digest Complete Guide to Needlework. The Reader’s Digest Association, Inc. (March 1992). ISBN 0-89577-059-8

External links

Different Types of Embroidery Stitches – a thorough collection of different types of embroidery stitches

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Embroidery

Styles

Assisi  Bargello  Berlin work  Blackwork  Broderie Anglaise  Broderie perse  Candlewicking  Canvas work  Counted-thread  Crewel  Cross-stitch  Cutwork  Darning  Drawn thread work  Free embroidery  Goldwork  Hardanger  Machine  Needlepoint  Quillwork  Smocking  Sprang  Stumpwork  Surface  Suzani  Trianglepoint  Whitework

Stitches

Backstitch  Blanket  Brick  Buttonhole  Chain stitch  Couching and laid work  Cross stitches  Embroidery stitch  Featherstitch  Holbein  Parisian  Peyote  Running  Satin stitch  Sashiko  Shisha  Straight stitch  Tent stitch

Tools

and materials

Aida cloth  Embroidery hoop  Embroidery thread  Evenweave  Perforated paper  Plainweave  Plastic canvas  Sampler  Slip  Yarn

Regional

and historical

Art needlework  Bunka shishu  Brazilian  Chikan  Chinese  English   Indian  Jacobean  Kaitag   Kantha  Kasuti   Korean  Mountmellick  Persian  Opus Anglicanum  Suzhou  Ukrainian   Vietnamese  Zardozi

Embroideries

Apocalypse Tapestry  Bayeux Tapestry  Bradford carpet  Hastings Embroidery  Hestia tapestry  Margaret Laton’s jacket  New World Tapestry  Overlord embroidery  Quaker Tapestry

Designers

and embroiderers

Leon Conrad  Kaffe Fassett  Juanita Growing Thunder Fogarty   Marilyn Leavitt-Imblum  Ann Macbeth  May Morris  Charles Germain de Saint Aubin  Mary Elizabeth Turner   Teresa Wentzler  Erica Wilson  Lily Yeats

Organizations

and museums

Embroiderers’ Guild (UK)  Embroiderer’s Guild of America   Embroidery Software Protection Coalition  Royal School of Needlework   Chung Young Yang Embroidery Museum   Han Sang Soo Embroidery Museum

Related

Applique  Crochet  Knitting  Lace  Needlework  Quilting

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Sewing

Techniques

Basting  Cut  Darning  Dressmaker  Embellishment  Gather  Heirloom sewing  Pleat  Ruffle  Style line  Tailor  Gore  Gusset  Godet

Stitches

Backstitch  Blanket  Buttonhole  Chain stitch  Cross-stitch  Embroidery stitch  Lockstitch  Overlock  Running  Sashiko  Tack  Zigzag

Seams

Bound  Hong Kong  Inseam  Seam allowance  Seam types

Notions

Bias tape  Interfacing  Passementerie  Pattern  Simplicity  Trim  Twill tape

Closures

Button  Buttonhole  Frog  Hook-and-eye  Shank  Snap  Velcro  Zipper

Materials

Bias  Yarn/Thread  Selvage  Textiles/Fabric

Tools

Bobbin  Pin  Pincushion  Pinking shears  Scissors  Seam ripper  Sewing needle  Stitching awl  Tape measure  Thimble  Tracing paper  Tracing wheel  Upholstery needle

Sewing machines

Bernina  Brother Industries  Feed dogs  Pfaff  Sewing machine  Singer  Tapemaster

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