But it does go after the facts
“It put eye-glasses on me. But if it dimmed my eyes, it enlightened my mind. The combined newspapers of New York do not cover the available field. They do not begin to cover it…. Did you say something, Mr. Banneker?”
“Did I? I didn’t mean to,” said Banneker hastily. “I’m a good deal interested.”
“I’m glad to hear that,” returned Marrineal with gravity. “After I’d made my estimate of what the newspapers publish and fail to publish, I canvassed the circulation lists and news-stands and made another discovery. There is a large potential reading public not yet tied up to any newspaper. It’s waiting for the right paper.”
“The imputation of amateurishness is retracted, with apologies,” announced Russell Edmonds.
“Accepted. Though there are amateur areas yet in my mind. I bought The Patriot.”
“Does that represent one of the areas?”
“It represents nothing, thus far, except what it has always represented, a hand-to-mouth policy and a financial deficit. But what’s wrong with it from your point of view?”
“Cheap and nasty,” was the veteran’s succinct criticism.
“Any more so than The Sphere? The Sphere’s successful.”
“Because it plays fair with the main facts. It may gloss ’em up with a touch of sensationalism, like the oil on a barkeep’s hair. But it does go after the facts, and pretty generally it presents ’em as found. The Patriot is fakey; clumsy at it, too. Any man arrested with more than five dollars in his pocket is a millionaire clubman. If Bridget O’Flaherty jumps off Brooklyn Bridge, she becomes a prominent society woman with picture (hers or somebody else’s) in The Patriot. And the cheapest little chorus-girl tart, who blackmails a broker’s clerk with a breach of promise, gets herself called a ‘distinguished actress’ and him a ‘well-known financier.’ Why steal the Police Gazette’s rouge and lip-stick?”
“Because it’s what the readers want.”
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